Archive for September, 2007


Touring in the music business

September 5, 2007

Date: September 5, 2007 7:27:51 AM EDT
Subject: Touring in the music business – Sept 2007

Here are some of the responses I received regarding touring.

Note the first one and how positive the author’s tone is compared to the second email.

One attitude breeds success. The other, frustration and failure.

Which type of artist are you?  Which do you want to be?

Jennifer Yeko
True Talent Management
9663 Santa Monica Blvd. # 320
Beverly Hills, CA  90210


This is one of the best emails you’ve sent out.  I loved it.

I wanted to respond to the question about touring.  I recently did my first tour as a solo artist.  I chose cities where I knew I had a bit of a fan base – or even one or two “rabid” fans who would help get the word out.  At all of the places I played, I had smaller, shall we say “intimate” crowds.  But the people who came to see me were incredibly supportive and appreciative.  And I sold CD’s and T-shirts, which would have otherwise sat in the closet (other than the internet sales).  And I definitely believe that when I go back to those same places, I will get larger crowds due to word of mouth.

{Editor’s Note:  Good point.  You can make really good money selling CDs and merch at shows.  In fact, at shows with just a handful of people, I’ve had bands I manage sell more CDs and merch than at shows with much larger crowds.  I think the fan feels much more connected to the artist at a smaller show.  So next time you’re playing to a couple people, instead of getting sad or angry at the lack of a crowd, make sure you win over each person in that audience and they’ll probably buy a CD, t-shirt, come see you next time, and bring some friends to boot!}

Did I make money?  Yes.  Did I break even?  No – mostly because I rented an SUV to carry my sound system (I have a Camry!) and the price of gas ain’t cheap these days.  But I helped cut down my costs by staying with friends in most of the cities where I played at.  On the other hand, I also made connections on the trip that will help in other areas of my business down the road (podcasts, additional dates, etc.).

[Editor’s Note: Again, great point.  It’s much more realistic to make money touring as a solo artist or with one other band member than as a full band.  Punk bands, again, can do well, as many of them get by with a drummer, bass player and lead singer/guitarist — only 3 band members total.  They sleep on friend’s floors and sofas when they tour.  In fact, one guy started an indie label that signed a HUGE band, and even though he has tons of money now, he still sleeps on friend’s sofas when he travels even though he could afford a fancy hotel room – force of habit I guess.  And also, great point about networking – it’s all about who you meet on the road.  You’ll learn a lot more touring than you ever would sitting in your living room, that’s for sure!}

Most importantly, I LOVE to play out.  For every person who comes to hear my play, particularly in a new city that I’ve never played before – frankly, I consider that a privilege.  On any given night, particularly a weekend night, there are so many entertainment options out there for the average consumer.  So I do my best to connect with each person – and let them know that I’m glad they came to see me play.

[Editor’s Note: What a great attitude to have!  If you truly want to be a successful artist, you have to LOVE playing out.  Love touring.  If you don’t, this will all feel like too much work for you and will frustrate you.  Don’t do something that frustrates you.  But know, if you really want fame and fortune, that’s what it takes.  That’s why the people that make it are truly in love with performing and hopefully writing and recording their own material.  Otherwise, it will be the kiss of death for you as you’ll start to hate parts of the music business that “require” you to tour.  Don’t tour because you “have to”.  Tour because you WANT TO!}

I’m a singer/songwriter so when I play, it’s just me and the acoustic guitar.  Although a few of the dates were the traditional club/coffeehouse type gig, I also had the luxury of doing a few different types of venues.  I did a few bookstores (I chose local vs. the national chains) and I also did a home concert.  Let me talk about both of those.

Bookstores.  One of the advantages of playing independent bookstores is that they will typically play your music in store and will also carry it.  To help promote my bookstore shows, I sent them posters, postcards to place by the register, and also sent a CD to play in store.  One of the bookstores played my CD fairly regularly, which helped pique interest and get people to the show.  So when I arrived, the first thing they said to me was, “Before you leave, make sure we buy some CD’s from you.  We could have sold a dozen of them already if we had had them.”  This particular bookstore hosts a regular music series – and they totally knew how to host a concert.  They were pro’s.  They were also the only place on my tour that charged a cover to see me.  Between the door and CD/T-shirt sales, it was my best money night of the trip by far.  Funny thing is, the crowd was the most receptive that night (based on sales, emails and MySpace messages), which was also the night that I thought I did a “not so great” performance.  It just goes to show you that you can’t always judge a show by how you THINK you did.

[Editor’s Note: Great job promoting the show – I often check out concert posters at a venue and see who’s coming there – some of the best placement is in the men’s and women’s restrooms – you have a captive audience there!  And again, smart move on sending some advance CDs – also, try sending a stack of CD singles for the club to leave out or pass out!  Or a sampler of :30-1:00 minute clips of 3-5 songs could work too!}

Home concerts.  I’ve done a few of these and they are my favorite shows to play for a couple of reasons.  First, the people who host them are friends who love and support you and will bring their friends there, or they are experienced people who regularly host home concerts.  Home concerts are a very viable alternative to club bookings and any artist at the indie level should explore them.  The audiences at home concerts are always very appreciative, which usually translates to a high percentage of CD/T-shirt sales.  Plus they come to hear you play (unlike some bar gigs where you’re background noise).  That, combined with playing in a living room, makes for an intimate atmosphere that simply cannot be beat.

I thoroughly enjoyed every minute of my tour because I feel that I did a few things right.  First, I always check out similar artists at my level to see where they are playing – or I ask my fans in different cities for information on appropriate venues.  All of the venues I played (other than the home concert) came from that.  I also put together an itinerary book with daily wake up, leave, and load in times, venue contact information, maps, etc., to stay on schedule.  So the tour was well organized with no surprises.  Plus, I knew from the start that I would not play to the same size crowds that I can draw at home.  Most importantly, it all comes down to the music and making a connection with people.  I practice every night in an empty room, so it’s a special thing to play in front of an audience.  And playing in front of people as consistently as possible will make me a much better artist than three times the hours of practice in an empty room.  If the only reason we do music is to make money, well, that’s stupid.  This business is hard.  And to me, music is ultimately about connecting.

I have a full time job, so I don’t depend on my music to make a living.  That being said, I want to be able to finance my next CD from what I’ve earned from the first one.  So I am seeking every opportunity to sell more, gain a wider exposure – and yes, license my music.  But going on tour made me feel like a “real” artist, not just a local or internet artist.  And it made me totally miss the days of traveling full time (I was with a vocal group previously).  It was a wonderful experience, and I can’t wait to start planning the next one.

Have a great Labor Day,

-Mike R.

[Editor’s Note:  What a great email. Very informative and inspirational!  Thanks so much for sharing!}
Very interesting info Jennifer.

But the thing about this is even though you are on point, giging around can catch an act up in a road to nowhere also.  There are so many great musicians out there who need a chance but will never be heard except in the local scene.  Pretty soon they have to play the game called “life” and gigging around won’t support this.
[Editor’s Note:  True, not everyone will “make it” and very few artists have the privilege of making their living 100% from the music business.  It’s very smart to be honest with yourself and perhaps, give yourself a time limit.  I think a lot of bands figure, if they don’t “make it” by the time they are around 30, they pretty much give up the “rock star” dream and settle down.  There’s nothing wrong with that. And these days, you can write and record in your home studio and use a computer and ProTools and focus on making music and licensing it, instead of going for the big pot of gold…}

On another note as a 35 year vet in the biz, so many acts make it without any live performance and are created by producers and labels with high $$ production as their live performance.
[Editor’s Note:  That may be true but these artists were signed for a reason.  Again, they are young and beautiful and determined beyond belief.  And the label thinks they can market their music primarily through radio.}

Ever seen 50 Cent perform?
How about the ones who sing and stand there with guitar in hand for two hours til you need to just leave?
[Editor’s Note: I haven’t seen 50 Cent perform but what I know about him is that he was Eminem’s prodigy, if memory serves me….Wait, Google provides his whole life story - .  But really, what’s your point?  Sounds like petty jealousy.  Yes, people make it.  Some are incredibly lucky. Some are incredibly talented.  Usually you need both, but there are always exceptions to the rule. Why spend your time being bitter about others’ success?  Instead, be happy for them, and work towards that being you!  Yes, there are many acts these days that aren’t great live. But they may be great songwriters.  Or great producers.  Or great rappers.  Or have a great “story”.  There’s usually a reason someone is signed.  Maybe their parents are famous.  It may not always be fair but you can make it, but only if you never give up and are realistic about your abilities.}

I have several options that are the best singers and talent I have ever seen. Winning Grammy contests and more but if you do not have money get out of the music business….even with contacts it won’t buy you a career.. You will end up with 20 catalogs of songs and CD’s in your closet drawing dust.
{Editor’s Note:  You’re right in that music doesn’t sell itself.  CDs don’t sell themselves.  I think there is a huge misconception that all you need to do is get a record deal and POOF you become a star.  Or just MAKE a great record, the rest will magically fall into place.  NO!  Not at all! Artists that do get signed work their butt off once signed. They do a million radio interviews and performances.  Back in the day, they’d go meet retail.  They schmooze at the label.  They pester the label for more attention and support.  They do every little show imaginable.  It’s not “the dream” of an easy life.  Artists that ‘make it’ work their butt off.  I have never met one single star who wasn’t an incredible perfectionist and motivated beyond your wildest dreams.  In fact, it explains why there are “so many bad songs on the radio” – these artists aren’t the most talented, but I guarantee, they are the most driven.}

Hopefully we are embarking on a new era of music and a smarter generation of listeners.
Instead of being force fed music, we actually get to chose what we want but what makes one band different from another (touring costs $$, merchandise costs $$, promotion costs $$)
{Editor’s Note:  Yes, with the popularity of YouTube and Myspace, hopefully we are getting to choose tomorrow’s stars more than ever before.  But here’s one thing money absolutely cannot buy you – TALENT.  DRIVE.  Those 2 qualities are far more important than having money.  Why focus on what you don’t have ($$) and focus on what you do have?  Focus on your strengths, not weaknesses!}

What it takes is years of work, virtually no social life or relationships, families and $$$$$$$$$$$.
{Editor’s Note:  Yes, you’re absolutely right.  Now the truth comes out.  Money helps, don’t get me wrong. But it’s really the years, decade or more of hard work, giving up a social life, etc.  Many successful artists give up a relationship and a social life and instead, stayed home in the studio, writing and recording songs.  Or for hip hop artists, making beats.  And again, while money helps, there are plenty of artists who “make it” without a trust fund.  In fact, most A&R guys I know rather have an artist that grew up poor and starving than one who grew up with money.  Why? Because the artist that grew up poor will remember how bad it was to grow up being poor and will stop at nothing until they are successful. Christina Aguilera is one that didn’t have much growing up, and in fact was abused as well.  And look what a huge star she is now! }

Otherwise, I would have to advise playing a bit in your teen years, gigging and closing the shop.
{Editor’s Note: With that attitude, you’ll never make it.  Gig until you’re 19, then cash out?  I’d give it til at least 30!  Artists like Sheryl Crow didn’t hit it big til their 30’s.  Sorry, but your bitterness, while I can understand it, isn’t helping your cause…}

Do not mean to be negative but it is what it is!!!!!!!  We hate to say it but you have to love the struggle and music and have $$$$$$$
{Editor’s Note:  You are extremely negative and also, I had to correct about a thousand typos in your original email.  A bit hard to take an artist seriously that can’t even be bothered to send an email that isn’t full of typos.  But you’re right.  You do have to love the struggle.  Blame your lack of money as the reason why you didn’t “make it” but sounds like a cop out to me.  Did you really work as hard as you could have?  Gig everywhere possible? Write amazing songs?  Perfect your songwriting and live show?  It may be too late now but try not to end up bitter against those that have money.  You gave it your best shot.  Again, not everyone becomes a rock star.  Hopefully you had fun along the way :)}

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We fit well live with everything from pop-punk to metal.

We have played around the LA area a number of times, so we may be able to help with some
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The dates we’re available in southern California are:

Sunday – 9-16-07
Monday – 9-17-07
Tuesday – 9-18-07

Any help with an of these dates is very much appreciated.

Please contact:


Questions & answers about the music business – August 2007

September 2, 2007

Date: September 2, 2007 7:32:09 AM EDT
Subject: Questions & answers about the music business – August 2007

Every so often I answer artist’s questions about the music business and send them out to my email list.

I hope these emails can educate and inform you and also, serve as a bit of entertainment and fun reading material!

Feel free to send your question in and I’ll do my best to answer it next time!

Jennifer Yeko
True Talent Management
9663 Santa Monica Blvd. # 320
Beverly Hills, CA  90210


I read your reply about playing out, without it you won’t succeed.

How successful are cover acts?  If you are an artist/writer, is it better to perform covers with originals if you don’t have enough original material?  It is very difficult to perform original material live when nobody has ever heard of them or not on the radio, etc.

What is the best way to maximize yourself live when pushing strictly originals?



Be a great live artist/band.  Write great songs.

In answer to your other question:

There are a lot of successful cover bands out there.  In fact, many cover bands make more money than many original “live” acts, at least at the indie/club level.  Almost every huge artist I’ve seen live will do one cover song somewhere in their set (oftentimes in the encore).  It might be ironic, like Travis covering Britney Spears “…Baby One More Time” or it might just be a cover of a regular, popular song.  I’ve seen some acts do 1/2 covers and 1/2 originals in their live set.  Only you can judge if your live material is good enough but one band I know did exactly 1/2 covers and 1/2 originals and grew their fan base that way.  Which worked as a great compromise.

Ultimately, though, it depends on what your goal is.  If you want to make money and play out, being a “cover band” is the faster way to that.  But if you want to ultimately succeed as a original band, you’ll need to perform your original songs somehow!

The only way you can become a better performer is to get out there and perform. I recently met an artist who said she wasn’t very good until she’d done about 50 live shows.

And as for the music, the songwriting is key.  Write every day.  Rewrite.  You only become good by writing more and more.  Every day.  And ultimately, to succeed in the music business, you must be writing GREAT songs, not “good” songs.

Practice your songwriting craft.  Take songwriting classes.  Learn how to record at home using your computer and ProTools.  Seek feedback from other artists you like and respect and take their opinions into consideration and rewrite your songs until people really respond to them.  Cowrite with other artists.  Listen to the radio. Study the structure of “hit” songs.

Even if it’s just one guy in the bar – people should be tapping their toes, bobbing their heads, be into whatever music you’re doing and telling you so after your show.

Hope that helps.


Hi Jennifer,

I want to say that I enjoy these topics you send around, they are educational and informative, and it’s always nice to know what other bands are dealing with.  Thanks!

So – I’m replying to you on this topic because I have a big question regarding touring that I would like some advice and feedback on.  You said “Touring is a crucial part of becoming a successful artist/band”.  My question is why is touring such a big consideration?  Why does it even matter on an indie level?  Isn’t it supposed to about the songs first?  It seems that if a band doesn’t tour, labels won’t even talk to you.

Let me explain why I ask and give you a realistic, everyday scenario that an indie band will face – some artists, and I venture to say MOST indie artists, have no financial cushion to fall back on.  Not everyone lives with mommy and daddy (and therefore have no bills and a place to stay), and not everyone has independent financing.  This means you pay your own rent, your own bills, and have nothing to fall back on but yourselves.  The bulk of indie musicians live off of our measly day job paychecks, scraping by, not making enough money to save anything substantial to be able to live on.  Paycheck to paycheck is the way of the artist, so saving money for a rainy day, or a tour, is completely impossible.

Now consider this – to go on the road as an unknown indie band, you make no money.  You might be the biggest thing your home region has ever seen, but if you’re from NY for example, and you want to tour in Tennessee, it’s fair to say no one in TN has heard of you and therefore you’re not gonna be a big draw, and therefore you will not receive a big paycheck from shows on tour, if ANY paycheck at all.

So now you go on tour – you all hop in the van for a short 2-3 week tour.  You go to all of these venues in all of these towns that have never heard of you.  You play your heart out, you make a good impression on the people in the club, but the draw is light as expected.  This usually means you don’t get paid, or you get paid very little like maybe $50 for the entire band.  That, by the way, is a VERY accurate scenario as far as indie band tour pay goes, I know this from several personal experiences and the experiences of friends.

Now after your 3 weeks, you are hundreds of dollars in the hole.  You have not made a dime in profit, and you have spent far more than you made in gas, lodging, food, etc.  You get home.  For 3 weeks you have not worked, so you have no paycheck.  Now the bills are piling up.  The landlord wants the rent.  You might very well have LOST your job because you took 3 weeks off and now you face joblessness and homelessness because of your 3 week tour.

My point is this – HOW is an indie band with no money supposed to actually get on the road if they have nothing to fall back on, like mom and dad or some substantial savings?

If the songs are great, the hometown draw and hometown sales (also internet sales) are strong (we have thousands), maybe the band has some nice licenses under their belt (we have 14) and some big publicity (we have that too) why does touring make any difference at all, when you have no financial means to be able to actually sustain a tour?  Why is this a pre-requisite to getting a deal in many cases?  It’s almost as if the industry discriminates aganst the blue collar bands with no money, and this is a dilemma my band has faced for years.  If we go on tour, we will lose our jobs and our homes and wind up homeless living in the street.  My parents are both dead, I have no one to help finance me or to give me a place to stay, and I (as most of us) do not have the luxury at my job to just take weeks at a time off.

What recourse does an indie band have in this set of circumstances, and why is a tour necessary when touring is not a realistic possibility?

Thanks for considering my question, and please have a wonderful day!



Wow, that’s quite an email.

First of all, sounds like you are doing great.  So why do you need to tour and to get signed to a label?  Maybe you don’t.  Maybe things are fine as they are.

Not every band or artist needs to sell millions of CDs, be on the radio and on MTV/VH1/Fuse/etc.  In fact, the scenario you just described is far more realistic.

If you’re doing well locally, stick to what works.  Don’t go tour in Tennessee just because you “want to”!  Is it a good business decision right now?  Probably not.  Not unless you can get on the radio there or get some local press going and tour supporting a band that has a fan base there already.  Be smart about where you play out.  It only makes sense to tour far away if you can bring some people out and go back there again in a relatively short time frame to build your draw.  It’s about repetition.  Say you play to 10 people at some divey bar. But you are so great, next time you play, your 10 fans tell their friends and at the next gig there are 20-30 people there.  And then next time, 50. Then 70.  I think you get the point.  Is it easy?  No.  But this is about work, not just fun and games.  How much promotion did you do the last time you did a 3 week tour?  Jumping in a van and spending money on food, gas and lodging doesn’t make sense unless you’ve put a lot of effort into promoting those shows.  Did you look into playing colleges?  Colleges and universities will oftentimes pay bands and pay for their food, lodging, etc. in addition to money for coming to campus to perform.  But your music has to be pretty clean cut and appeal to the college aged demographic to do this.

But let me get back to answering your questions.

Touring is important for a number of reasons.  Traditionally, artists make 60-70% of their income from ticket sales and touring.  Touring sets you apart from the other tens of thousands of artists who sit at home, write a song or two (or an album’s worth) and throw them up on myspace.  Sure, a label may like your music but do you have a fan base?  How many CDs have you sold?  And who cares about labels, without fans, without people coming to see you live, how are you going to make a living with your music? Sure, film and TV licensing is a huge business and many artists make their living from it alone.  But to truly break through, if you really want to become “huge,” you must tour.  You have to start somewhere.

When you tour, you are out there, meeting and networking with other bands.  Great things can and have happened to artists on the road because of who they meet.

Also, performing live is just about the #1 way to sell CDs.  And while CD sales may be declining, it’s still a huge source of revenue for most indie artists.

There are a million reasons why touring is important.

You’re right, if a band doesn’t tour, a major label will not take that act seriously (unless that act is a pop act and/or can truly be broken from radio – in which case you better be writing songs as catchy and poppy as what’s on the radio today).  Now that’s not to say a band that doesn’t tour will never get signed.  Just no bands that I know of.  Sure, there are the Britney Spears and Avril Lavigne’s of the world who may not have toured much until they got signed. But they worked hard in other areas.  Britney on the Mickey Mouse Club and Avril had the whole “punk/goth” image and blonde hair going for her and claims to be more of a songwriter.  And once they did get signed, both toured shopping malls to get a fan base.  And consider that they were both very young (16ish) and very blonde when they got signed. And they make pop music.  Very different than most of you artists out there.

Is touring easy?  No.  Is it even harder when you get older and have responsibilities, like a wife/husband/girlfriend/boyfriend/cat/dog/fish/kids?  Of course.  Why do you think labels have traditionally signed younger acts?  Well, for a lot of reasons (that I’ll save for another email) but one of the reasons is because the younger the artist, the less they’ll mind touring around in a van (yes, a van, not a tour bus!)  And they might live at home so that definitely cuts down on expenses like rent and electricty.  Besides, even if you somehow manage to get signed without a huge fan base, what are you going to do when you get signed? Make an album. And then get out there and go to radio and hit the road to tour (in a van) and promote it. A label is a thousand times more likely to sign a band who’s already been doing that on their own (that already has hundreds, if not thousands of fans and CDs sales already) than to take a chance with a band that doesn’t tour, doesn’t have a fan base and hasn’t sold many CDs.  I’m not saying it’s impossible but given the choice between signing 2 bands, one that tours and one that doesn’t, which band do you think the label will sign?

That being said, touring isn’t for everyone.  But it sounds to me like you’re making excuses.  It’s too hard?  Maybe to you.  But thousands of indie bands are doing it right now.  In fact, I was just talking to an A&R executive who has been following a band around as they tour this summer and he wants to sign them.

I’ve heard that cry before, “it’s not fair, I don’t have some mom and dad supporting me” as a reason why an artist “can’t” tour.

Is it hard?  Absolutely.   But buddy, life is hard.  Life isn’t fair.

Still, many poor and struggling artists have figured out a way to do it.  Your email really sounds like you’re playing “victim” and if you “play victim” you’ll never succeed.  Successful people figure out a way.  They say “I can do it” not “I can’t.”  Successful people don’t whine and complain that life is “hard” or that they were dealt a tough life.  Besides, I much rather represent a band that has no money but is working their butt off than a band that has a fat bank account but sits on their butt all day.  In fact, I used to manage an act like that, who never toured outside of his home state and he’s been incredibly unsuccessful.

The music business is very competitive and for every artist out their complaing that it’s “too hard” or “too much work” there are 10 that are out there touring and have figured out a way to do it.

Get some investors to back you.  Do more freelance work.  Start a graphic design or web design business.  If you’re a creative person, use your creativity to figure out how you can make more money and still get out there and tour!  If you really want to break into a new market, teach voice, guitar, drums or keyboard lessons to kids!

Why not take the money you’ve made from local CD sales and licensing your music to film and TV and use it to support your touring? And why not focus on areas closer to home instead of going on 3 week trips to random places where you have no fan base.  Also, you can use myspace and other bands to network with and promote to fans in the places you are going to.

Or, perhaps you are better off as a songwriter and sitting at home writing songs and licensing them to film/tv.  There’s a reason why that end of the business is booming.  Or, make some amazing concert videos, put them up on YouTube and try to promote to the fans that you have. See if you’re really that good that you can get fans virally.

Punk bands work a day job during the week and hit the road Thurs-Sat night, touring locally as much as they can and gradually working their way out from their home town or city.  I’m not advising to quit your jobs and just jump in a van. That won’t work. Be smart, build up a local fan base and then expand outward.  If you’re not doing well in your home town, chances are it won’t be much better on the road, unless you live in a place where your genre of music isn’t popular (say doing country music in New York city).  Touring regionally is a thousand times smarter than touring in random places.  Start in your home town. Then expand out 20-30 minutes in each direction. Repeat.

Most successful bands out there have figured out a way to tour.  Bands without rich parents or anyone helping them. They tend to be very driven and very motivated.  Perhaps some of the touring artists on this list will tell you how they’ve done it.

Listen, if you’re doing well playing locally and licensing your songs, who says you need to tour?  No one is holding a gun to your head. The whole music business is being turned upside down. You can be indie and do very well.  However, if you’re looking to get signed to almost any record label, it will be a thousand times more difficult without a fan base and having toured.

Here’s more info:


I’ll leave you with this piece of advice from a fellow list reader:

“The labels are in the business of SELLING RECORDS. (CD’s Downloads – whatever you want to call it).  They have one product and one product only and it needs to sell.”

Just wanted to expound on this and add a couple thoughts, being a manager/indie A&R/publishing company. I started as a wanna be rock star, stopped at 25, had already opened two recording studios, produced hundreds of indie records, then started writing songs for myself and others (yeah, a lot of them sucked too), took time off, and got back in as an indie A&R/publishing company as I saw the internet growing. I have raised over a million dollars from private investors for artists development in the past 4 years. Anyway, here’s what I have to say…(you may want to keep this to yourself, it might be too much for the general public:)

Actually, the labels now know that they can’t generate enough revenue from cd sales anymore. This is why they enter into 50-50 all encompassing deals with the artists now. They get a piece of everything….merch, touring, endorsements, etc. They become partners with the artists. Some see this as good, some as bad.

I think it’s great as the label has to work just as hard as the artist to be successful.

Artists need to realize that TV and film placement are really the new radio, with regards to breaking in to the biz. And they need to look at places like Starbucks and Nordstrom’s as places to get their product. They sell more CD’s then normal brick and mortar retail.

If you’re not out playing, you’re a loser already.

This business is not rocket science, and all the wanna be artists out their are so opinionated and jealous that they completely forget this is the music BUSINESS!

I, like you Jenn, trip over CD’s in my house, office, car, and I can’t believe the amount of money people spend on kits, pressing CD’s, etc. What kills me even more is getting a freakin CD that looks great, sounds like ass crackers, but there’s 10 pages of liner notes! Who freakin cares who you want to thank and love!

Write great songs, release a single, generate money from that to record more, one step at a time, pretend it’s the 50’s and early 60’s…single oriented, LP’s were not made until singles proved the artists viability in the market.

Bottom line is Get IT or GET OUT!

James L.

Always keep doing what you’re doing because you do something that, well, actually, I don’t know anyone that could do what you do. With regards to time, patience, objectiveness, it’s very cool. I am sure you get major emails beating you up, but they’re wrong!